“尽管艺术总监们将展览描述为‘超低预算的双年展’,第四届布拉格双年展依然成功地将贫穷转化成了财富。展览的筹备、组织,甚至开幕无一不面临着严峻的形势,然而,这样的条件却成就了策展项目以及艺术家的某些作品内在的力量和坚实的品质。无论是前来参观的观众们,还是细心观摩作品的人士,大家都十分明白这点(金融海啸)!至于我的发现:比如艺术家Barbora Zurkova e Radim Zurek的双折摄影,Michele Tocca生动的小幅画作,波兰艺术家Basia Banda标新立异的作品,还有墨西哥艺术家Guillermo Santamarina向一面石膏板扔LP黑胶唱片的行为表演,以及叶永青随意潦草的笔触下精致的图像。”DomenicO Quaranta艺术批评家、策展人第四届布拉格双年展“超清”(Hyper-Lucid)单元策展人 “Although the art directors portrayed the exhibition as ’the ultra-low budget biennial’, the Fourth Prague Biennale successfully transformed poverty into wealth. The preparation, organization and even the opening of the exhibition are all faced with However, this condition has resulted in the inherent strength and solid quality of the curatorial projects and some works of the artist, and it is well understood by both the audiences who came to visit and the people who carefully observe the works (Financial tsunami)! As for my findings: bi-fold photography by the artist Barbora Zurkova e Radim Zurek, lively miniature paintings by Michele Tocca, the brand-new works by the Polish artist Basia Banda and the Mexican artist Guillermo Santamarina throwing LPs on a gypsum board Vinyl performances, and the delicate images of Ye Yongqing’s scribble brushwork. ”“ Domenico Quaranta Art Critic, Curator Curatorial Curator of the Fourth Prague Biennale ”Hyper-Lucid" people