王公懿第一次拿起木刻刀完成《秋瑾》,是在1979-1980年,这组版画获得当年全国美术大奖。那是年轻人充满情感的作品,愤怒与悲痛和着泪水一刀一刀密密地凿进木板里。那个时代需要秋瑾的正气凛然,需要集体的情绪宣泄,需要鲁迅的《药》。时过境迁,33年后,她再一次拿起木刻刀,完成了《辋川图错综》(2011-2013年)。生命仍然充沛,情感依旧饱满,但这次是全新的语言,说着全新的故事——没有特定的历史时空,没有入木三分的情绪,没有知 Wang Gongyi first picked up the woodcut knife to complete “Qiu Jin”, in 1979-1980, the group of prints won the National Art Awards of the year. It was an emotional work of young people, with anger and grief, and a tear in a knife cut into the board. Qiu Jin that era needs a righteous awe-inspiring, need collective emotional catharsis, you need Lu Xun’s “medicine.” After a period of change, 33 years later, she once again picked up a woodcut knife and completed the “Wangchuan diagram” (2011-2013). Life is still full, the feeling is still full, but this is a new language, said a new story - there is no specific history of time and space, there is no emotion into the wood, there is no knowledge