在北京三里屯一个不起眼的宾馆,拾级而下到地下室,左转片刻看到一个题为“郭泰来美术馆”的大门。推开大门,遽然一惊。在干坪开外的巨大空间里,席地铺开数十张白色大幅宣纸,旁边无数调色盘渲染着五颜六色,其中三张宣纸已经勾勒出山水、树木、圆石的细节,尚未着色,显然是进行中的作品。大厅另一侧临墙整面搭着一张长台,台上笔墨纸砚齐全。郭泰来戴朴素的黑色镜框眼镜,柠檬黄外套配黄红相间的马甲,整个色调和身后的艳彩画作浑为一体。 In Beijing, an obscure hotel in Sanlitun, level up and down to the basement, turn left moment to see a door entitled “Guotai Lai Museum ”. Open the door, suddenly surprised. In the huge space outside Ganping, tens of sheets of white rice paper were laid open, and numerous color palettes were painted next to each other in colorful colors. Three of the rice paper sheets had outlined the details of landscapes, trees and boulders, which have not yet been painted and apparently carried out In the works. On the other side of the hall, the entire wall is covered with a long table. Guo Tailai wear simple black frame glasses, yellow and yellow lemon coat with yellow and red vest, the whole hue and Yan behind painting muddy as one.