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古代史籍所载郑译乐议、荀勖笛上三调与蔡元定燕乐调是涉及两种音阶观念研究的关键文献。以郑译乐议的解读为突破口,找到三段文献的内在联系。郑译乐议以直接冲突的方式显示出两种音阶观念的存在;荀勖笛上三调以雅乐观念阐释俗乐调现象显露出两种音阶观念的矛盾;蔡元定燕乐调是在隋代初年两种音阶观念冲突之后而于唐宋燕乐中再一次对立的表现。三段文献以两种音阶观念在不同时期的矛盾与冲突而内在地联系起来。由三段文献的内在联系出发,进而看到我国音乐史上两种音阶观念的普
Ancient history book contains Zheng Lanyue, Xunyi flute three tune and Cai Yuan Ding Yan Yue tune is involved in the study of two kinds of scales the key literature. To interpret the interpretation of Zheng as a breakthrough point, to find the three internal links of the literature. Zheng Lingley discussed the existence of two kinds of scale concepts in the form of direct conflict; Xunyi flute tri-tune explained the phenomenon of vulgar music with the idea of elegant music revealing the contradictions of two kinds of scale ideas; Cai Yuan Ding Yan Yue tune is in the early Sui Dynasty After the conflict between the two kinds of scales and in the Tang and Song Yanyue again opposite performance. The three passages of literature are intrinsically linked by contradictions and conflicts between two kinds of scales in different periods. Based on the internal relations of the three passages, we can see that the two kinds of scales in our history