从1919年“五·四”运动到1949年新中国成立,中国摄影作品以黑白摄影为主。摄影画面的造型,历来为摄影家所重视,不同的时代背景、不同的文化背景、不同的个人修养,甚至不同的技术条件都会造就摄影师各自不同的造型理念。虽然,影像造型的最基本元素为线条和色彩,但如果以此为切入点讨论这一时期的影像造型攻略,则显得过于抽象。因此,笔者将从主体、形象和结构这三个相对具体的因素去进行考察。 From 1919 to the May Fourth Movement and the founding of New China in 1949, the Chinese photographic works are mainly based on black and white photography. The style of photography has always been attached great importance to photographers. Different backgrounds, different cultural backgrounds, different personal accomplishments and even different technical conditions will create different styling ideas for photographers. Although the most basic elements of image modeling are lines and colors, it is too abstract to discuss the image styling strategy of this period as an entry point. Therefore, the author will examine the subject, the image and the structure of these three relatively specific factors.