近二十年来,权力资本化的癌细胞走完了从主动脉向毛细血管扩散渗透的过程。它销蚀了权力祭坛的伪饰,剥落出历史的溃疡,但也以恶的形态构成了推动历史进步的杠杆——一旦自命清高的艺术也被拖上权力与资本淫乱的婚床,艺术家便从权力的奴婢变为兼职资本的仆从,艺术的角色错位问题便凸显出来,真善美缺失的乱象由此成为展示社会历史辩证法的链条——以往的艺术社会角色定位及其相应的意识形态运作结构病人膏肓,再也不能继续下去了。人们面对的文化大背景是——国际资本与封建文化残余彼此谄媚,导致社会生活全面物质化的危机,而当社会成员 Nearly two decades, the power of capitalized cancer cells have gone through the process of spreading from the aorta to the capillaries. It has eroded the fake ornaments of the altar of power and peeled off the ulcer of history, but also constituted the lever of promoting the progress of history in the evil form. Once the self-destructing art was dragged onto the marriage bed between power and capital, The slaves of power become servants of part-time capital, and the problem of the dislocation of the role of art is highlighted. The chaos of the truth, the goodness and the beauty thus becomes the chain displaying the historical dialectics of society - the orientation of the role of the art society in the past and its corresponding structure of ideological operation Cream, can no longer continue. People face the cultural background is - international capital and feudal cultural remnants flatter each other, leading to the full materialization of social life crisis, and when members of society