《白鹿原》中有很多关于鬼魂的片段,这些片段让小娥的形象栩栩如生,有血有肉,爱憎分明且个性鲜活。本文从作品中展现的鬼魂描写展开分析,探讨了国人死亡观的起源,分析了作家潜意识与传统意识的合拍与书写,总结了作家对传统思想的吸收、再现与反思,同时也总结了这些鬼魂描写在作品中对人物塑造、情节铺进等方面的文学作用。 There are many fragments of ghosts in “White Deer Plains,” which bring the image of Xiao E to life, with flesh, blood, love and hate, and vivid personality. This article analyzes the origin of the ghost in the works, discusses the origin of the concept of death of the Chinese people, analyzes the co-production and writing of the writer’s subconsciousness and the traditional consciousness, sums up the writer’s absorption, reproduction and reflection of the traditional thoughts, at the same time sums up the ghosts Describing the role of literary creation in plotting and plot plotting.