“不仅是一本书,是一种惊人的,让人内心满足的体验和经历,宛如一次很棒的风流情事。”~([1])这是Cosmopolitan对在《拉格泰姆时代》(Ragtime,下文简称《拉》)的封面上对它的赞美之词。小说家E·L·多克特罗的这部作品不仅描绘出一幅20世纪初美国社会的巨型风尘画,还为我们对那个时代的美国性爱关系研究提供了详实材料。女人的形象——抑或是淫荡不羁,祸水红颜,抑或是楚楚可人,温柔似水——都将男人对男尊女卑体制的深深眷恋表露无遗。在历史的长河中,在男性中心的社会里,女人的出场无外乎经历以下两种境遇:第一,被包裹。身体上的包裹和言行及心理的包裹:前者可具体呈现在女人的束胸裹胸、三寸金莲、阴部缝合等种种迫害上,后者为对女人言行上的制约和心 “~ ([1]) This is Cosmopolitan’s response to the” Ragtime “(Ragtime, hereinafter referred to as” pull ") on the cover of its praise. The novelist ELCOTRETER’s work not only portrays a giant sutra of American society at the beginning of the 20th century, but also provides us with detailed material on the study of sexual relations with the United States in that era. The image of a woman - or is it sensuality uninhibited, cursory roots, or Chu Chu Ke, gentle like the water - all the men deep respect for the male and female system of deep attachment. In the long history of the world, in a male-centered society, a woman’s appearance is nothing less than experiencing the following two situations: First, being wrapped up. Physical wrapping and words and deeds and psychological package: The former can be embodied in a woman’s chest wrapped chest, Trilobata, genitals stitch and other persecution, the latter for women’s words and deeds constraints and heart