习作一画面上,母鸡正回首用嘴理毛,三只小鸡围在前方,此外再也没有任何背景。母鸡用笔沉稳,小鸡表现得憨态可掬,两者之间存在一种非常默契的内在联系。习作二画中黑白灰三只鸡,近景灰色鸡尤为突出,因为用淡墨点出,留出少许空白。为强化笔墨情趣,鸡腿用线勾出,稍作皴擦。黑鸡面积不大,力图起到四两压千斤的作用。 On a screen, the hen is looking back at the mouth with his hair and three chicks in front of him. There is no background anymore. The hens are steady with pens, and the chickens behave in a naive fashion. There is a very intimate relationship between the two. Two paintings in black and white gray three chickens, near-view gray chicken is particularly prominent, because with light ink out, leaving a little blank. To enhance the fun of ink, chicken with a hook out of the hook, a little rubbing. Black chicken area is not large, trying to play the role of two or four pressure jack.