论文部分内容阅读
近年通过自媒体流行起来的青春文学中,有“暖文”与“冷文”两种迥异的风格。暖文崇尚“小”的美学,劝诫读者珍惜稍纵即逝的美好和抚慰人心的孤独感;冷文则通过“骂”直白地吐露对现实的不满,揭露欲望、接受欲望,在语言和情节的设置上都更加通俗化。“暖文”与“冷文”大多是以成人身份对青春进行审视,但“青春”的思想宽度却被限制得越来越狭窄,叙述角度渐趋封闭,作家越来越自我。作者虽有怀疑、批判精神,却缺乏建设的能力与勇气,因此难以做到真正的“致青春”。
In recent years, the literature of youth popularized by the media has two distinct styles: “warm” and “cool”. Advocate warmth “small ” aesthetics, exhort the reader to cherish the fleeting beauty and soothing loneliness; cold language through “curse ” straightforward to express dissatisfaction with the reality, exposing the desire to accept the desire, In the language and plot settings are more popular. “Warm ” and “Cold Language ” mostly examine the youth as an adult, but the width of the thought of “youth” has been restricted more and more narrowly, narrative angle is gradually closed, and writers are coming The more self. Although the author has doubts and critical spirit, he lacks the ability and courage to build, so it is hard to be truly “youthful.”