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恩施新诗的生成,有其地理环境,社会习俗,民族历史文化等外在土壤和“恩施感觉”内在土壤的条件。尽管恩施新诗的发展历程短、流变小,其成就和影响并不显赫。但由于诗人们在创作过程中将现代表现手法与乡土世俗生活混融,竟在致力于表现独具地域特色的民族风情美的同时,不自觉地体现出了带有“不确定性”的后现代审美特征。二者的有机结合,将会在恩施新诗的进一步发展中起到何种作用,值得继续观察和深入探讨。
The production of Enshi’s new poetry has the external soil and “Enshi feeling ” the inner soil conditions of its geographical environment, social customs, national history and culture. Although the development history of Enshi’s new poetry is short and its flow is small, its achievement and influence are not prominent. However, as the poets blend the modern expression techniques with the local secular life in their creative process, they devote themselves unconsciously to expressing the beauty of national customs with unique regional characteristics, and unconsciously embody the “uncertainties” Postmodern aesthetic characteristics. The combination of the two will play a role in the further development of Enshi’s new poetry and it is worth further observation and discussion.