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自从狄更斯的《匹克威克外传》问世以来,其主人公匹克威克的形象一直为世界各国文学评论界所瞩目。众所周知,《匹克威克外传》是英国批判现实主义的奠基作品,也是艺术巨匠狄更斯的早期代表作。对主人公匹克威克的评价,涉及到对整部作品的思想艺术成就是肯定还是否定的问题。一百多年来,各国文学界都对这一形象展开了讨论,褒贬互见,各不相让。英国的哈代,法国的巴尔扎克,都认为匹克威克是一个不成功的形象。苏联的英国文学专家阿尼克
Since Dickens’ introduction of The Pickwick Papers, the image of its main character, Pickwick, has always been the focus of the world’s literary critics. As we all know, “Pickwick Papers” is the cornerstone of British critique of realism, but also the artistic master Dickens’s early representative. The evaluation of the hero Pickwick is related to the affirmation or rejection of the ideological and artistic achievements of the entire work. For more than 100 years, literary circles in all countries have conducted discussions on this image, praising, derogating, and mutually reinforcing each other. Hardy of Britain and Balzac of France all consider Pickwick as an unsuccessful image. Alnik, a British literature expert in the Soviet Union