在外国文学的深刻影响之下,上个世纪八十年代以后才出道的中国小说作家似乎达成了一个共识:故事的讲法比故事本身更为重要。但《我和王小菊》(《名作欣赏》2004年第9期)显然并未借重于叙述技巧的新异,它给人印象最深之处还是它所叙述的故事——一个许多人都见所未见、闻所未闻, Under the profound influence of foreign literature, the Chinese novelist who debuted in the 1980s seems to have reached a consensus: the story is more important than the story itself. But “I and Wang Xiaoju” (Appreciation of the Masters, No. 9, 2004) apparently did not lend itself to a new breed of narrative techniques, it gives the deepest impression or the story it describes - a fact many see, Unheard of,