面对刘仁杰作于2003年的《岛》,我长时间地陷入了沉思:他那极其理性的、写实的人物描绘但却表现了非理性的内涵和非逻辑性的图像内容。作品中那看似荒谬地飘浮在地毯上部的女人体的背影和她所面对的男性手中的帆船模型,带着我的思绪走向历史和文化的深层。通过看似冷静而又客观描绘,这件作品中的两个人物被放 In the face of Liu Renjie’s “Island” in 2003, I was deeply lost in meditation: his extremely rational and realistic figure portrayed but showed irrational connotation and illogical imagery. In the works, the seemingly absurdly floating figure of a woman floating in the upper part of the carpet and the model of the sailing ship in the hands of the man she faces confront my thoughts to the depths of history and culture. Through a seemingly calm and objective depiction, the two characters in the piece were released