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在二十世纪七、八十年代的中国经历了一场装饰大热论,之后近二十年只零星散见于期刊、著述中。正因为其逐渐被人们搁置脑后,才得以被静观,而渐显其本质。本文正是出于此而再谈装饰有关话题,并通过装饰及装饰艺术发展概述,从艺术创作本体语言的角度阐述对装饰及装饰意蕴的理解。即“用心体悟,拨开迷雾,彰显宇宙之理”乃是装饰之灵魂;装饰意蕴正是蕴藏于作品内部、彰显宇宙之理、体现作品最高境界的“心灵”。
In the 1970s and 1980s, China experienced a great theory of decoration, and after nearly two decades only scattered in journals and writings. Precisely because it has gradually been put aside by the people, it can be observed quietly and gradually manifest its essence. This article is just for this reason to talk about the topic of decoration, and through the decoration and decorative arts development overview, from the perspective of artistic creation of ontology language on decorative and decorative meaning of understanding. That is to say, “knowing the heart, spreading the fog, and demonstrating the principle of the universe” is the soul of decoration; the meaning of the decoration is just the “heart” contained in the interior of the work to show the truth of the universe and reflect the highest state of the work.