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19世纪末至20世纪初,在反浪漫、求革新的文艺思潮里,在以斯特芳·马拉美为代表的象征主义诗歌,以及以克劳德·莫奈为代表的印象主义绘画的启发和影响下,德彪西探索、发展出一种与古典主义、浪漫主义音乐形式、规律和情感抒发不同的印象主义音乐,并影响了同时期拉威尔的音乐创作,他们为西方音乐史开创了一片新的音乐天地。文章通过对印象主义时期钢琴艺术的论述,分析德彪西与拉威尔在音乐创作上的异同。
In the late 19th and early 20th centuries, in the anti-romantic and innovative ideas of literature and art, inspired by the symbolism poetry represented by Esther Maramé and the Impressionist painting represented by Claude Monet and Under the influence, Debussy explored and developed a kind of impressionistic music different from classical and romantic music forms, laws and emotions, and influenced Ravel’s music creation at the same time. They created the history of western music A new music world. Through the discussion of the piano art during the period of Impressionism, the article analyzes the similarities and differences between Debussy and Ravel in musical creation.