《千与千寻》并非一看即可贴上“心理电影”的标签,但若采用象征的手法,从心理成长的角度解析其中角色,定能带给我们关于人格成长的更多认识。近几天再看《千》时,注意力集中到了无脸男这个角色上。在电影里,无脸男的最初几次出场,均是孤零零地站在通往魔屋的桥上,看着人来人往。在千寻第一次被白龙带领过桥走向魔屋时,无脸男那不成形的样子着实吓到了她。后来的一个白天,当她跟随白龙去看望化为猪形象的 Spirited Away can not be labeled “Psycho Cinema” at a glance, but using the symbolic method to analyze the characters from the perspective of psychological growth will certainly bring us more knowledge about the growth of personality . When you look at the “thousand” in recent days, your attention focused on the role of a non-facial male. In the movie, the first appearances of faceless men are all alone on the bridge leading to the House of Magic, watching people come and go. When Chihiro was led by Bailong to the magic house for the first time, the appearance of a non-faceless man actually scared her. Later a day, when she went to see the white dragon into a pig image