中国早期立体主义艺术,是20世纪早期中国具象艺术中抽象化探索现象,所谓“立体派的变形”方面最初先兆的显现。这在国立艺术院、决澜社,以及相关其他艺术群体和个体的艺术探索实践中,皆有不同程度的共性显现。其中主要的语言元素,正是对于塞尚艺术的借鉴,其语言探索效应,即以切面的主观表现为主导的立体主义手法的运用。表明现代主义艺术在中国的本土化的某种可能性。 Early Chinese Cubism was the first indication of the phenomenon of abstraction in the figurative art of China in the early 20th century and the so-called “transformation of Cubism”. This shows that there are different degrees of commonality in the art exploration and practice of the State Academy of Fine Arts, Jilan She, and other related art groups and individuals. One of the main linguistic elements is the reference to Cezanne ’s art. Its linguistic exploration effect, that is, the application of the Cubist approach led by the subjective expression of the aspect, Some indication of the possibility of localization of modernist art in China.