《+40m》和《时间》的创作相隔二十年,他们之间的相关性在我最初创作《+40m》的时候并没有注意到。最有意思的是这两件作品的形态:一竖,一横。一竖应合的是柏林艺大教学楼内时刻提示空间存在感的立柱,一横则是中国美术馆圆厅内凸显中心地位的弧形墙面。这两件作品的外部空间都成为了由作品内在空间衍生出来的对话空间,在看似完全偶然的情形下产生关联,形成了彼时彼地一个共时的语境。 Twenty years after the creation of “+40 m” and “Time,” the correlation between them was not noticed when I first wrote “+40 m”. The most interesting is the shape of these two works: erected, horizontal. Erect should meet the Berlin Art University teaching building at the moment prompted the existence of a sense of space column, a horizontal is the center of the Chinese art gallery roundabout highlight the arc wall. The external space of these two works has become the space of dialogue derived from the inner space of the works, creating associations in the case of seemingly complete chance and forming a synchronic context at that time.