日本近世后期随着以古文辞学派为代表的拟唐、拟明诗风的衰颓,平明浅近的诗风藉此气运重现抬头之势,此前一直不受江户诗坛重视的白居易诗歌因此成为诗家的模仿对象,而在幕末诗坛有着重要影响力的大沼枕山便是其中之一。他对白诗的吸收并不局限于和韵等常见形式,更是在深刻理解白诗的基础上积极摄取其创作技法,将日本本土传说故事整合于歌行体诗歌中,实现了汉诗的日本化,这其实也表明了江户后期诗坛接受白诗的成熟情况。 With the decline of the poetic style represented by the ancient style of Ci poetry, the poetic style of Bai Juyi, who had not been valued by the Edo poetry circles, thus became a poet Of the imitation object, and in the end of the poem has an important influence in Onuma Layama is one of them. His absorption of white poetry is not limited to the common forms such as rhyme and rhyme, but also actively absorbs his creative techniques on the basis of deep understanding of white poetry, integrates the stories of Japanese native tales into song poetry, and realizes the Chinese poetry of Japan In fact, this also shows that the late Edo poetry accepted the maturity of white poetry.