论文部分内容阅读
高佳佳,1978年考入沈阳音乐学院作曲系。1982年以优异的成绩毕业留校任教。1991年考入中央音乐学院作曲系攻读作品分析专业硕士学位,师从杨儒怀教授。1993年获硕士学位,同年分配到中国音乐学院任教。1997年再度考入中央音乐学院作曲系,继续师从杨儒怀教授攻读博士学位。2001年5月通过博士论文答辩,成为中央音乐学院培养的第一位作曲技术理论博士,也是我国第一位作品分析研究方向博士。多年来在《音乐研究》《中央音乐学院学报》《中国音乐》等重要学术刊物上发表的主要学术著述有:《弦索乐十六板中的复调与变奏思维》《从肖邦前奏曲中一部分曲式看音乐语言陈述结构的多样性》《门德尔松
Gao Jia Jia, admitted to Shenyang Conservatory of Music in 1978 composer. In 1982 graduated with honors to teach. In 1991 admitted to the Central Conservatory of Music Department of composition analysis master degree, under Professor Yang Juhuai. Master degree in 1993, the same year assigned to the China Conservatory of Music. In 1997 re-admitted to the Central Conservatory of Music composer, continue to study under Professor Yang Juhuai PhD. In May 2001, he defended his doctoral dissertation and became the first doctoral student in compositional theory cultivated by the Central Conservatory of Music. He is also the first Ph.D. He has published many important academic journals such as “Music Research”, “Central Conservatory of Music Journal” and “Chinese Music” for many years: “Polyphonic and Variational Thinking in Sixteen Strings of String Music” “From Chopin Prelude A part of musicians watch the diversity of music language structures ”" Mendelssohn