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晚唐桂林诗人曹唐,在道教神仙谱系的基础上,以神话化的艺术思维、诗性的语言来构筑另一个层次分明、体系完备、缥缈空灵、有血有肉、更为生动的神仙世界。曹唐以此来建构他才情缥缈的诗人身份,希望借此进入仕途。神仙世界的想象与诗人身份的建构,折射出曹唐糅合仙、道、儒思想,以仙道为体,以儒为用,事功名与崇神仙一体的文化人格。
In the late Tang Dynasty Guilin poet Cao Tang, on the basis of Taoist fairy pedigree, uses mythical artistic thinking and poetic language to construct another fairy world with distinct levels, complete systems, euphemism, flesh and blood and vividness. Cao Tang in order to build his talented poet identity, hoping to enter the career path. The construction of the fairy world’s imagination and poet’s identity reflects the cultural personality of Cao T’ang’s integration of cents, Taoism and Confucianism, immortalism as the body, Confucianism as the basis for use, fame and worship of gods.