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一百年前——1882年1月,柴科夫斯基在寄自罗马的信中谈到自己的新作品时写道:“我结束了自己的三重奏,并开始以极大的热情誊清。现在,当这部作品已经完成的时候;我能满怀信心地说,这部作品在任何场合下进行演出都是不坏的,唯一使我感到害怕的,是室内乐这一新范畴的创作开始太晚,并且在我一生为乐队写作中,在我的音乐创作中如何使用这组乐器的问题上有过过失。”的确,柴科夫斯基着手写三重奏的时候已是知名度很高的作曲家,六部歌剧、四部交响乐、芭蕾舞和交响序曲的作者。除此之外,他还写完了两首钢琴曲和一首小提琴曲,《洛可可主题变奏曲》,以及一些四重奏和浪漫曲。在如此广泛的创作体裁中,柴科夫斯基为什么还未写钢琴三重奏呢?况
One hundred years ago - in January 1882, Tchaikovsky wrote about his new work in a letter sent from Rome: “I ended my trio and started with great enthusiasm Now, when the work has been completed, I can confidently say that it is not bad for the work to be performed on any occasion, and the only thing that scares me is the creation of a new category of chamber music It’s too late to begin and I’ve had some mistakes in how to use this instrument in my music creation during my life as a band. ”Indeed, Tchaikovsky is already well-known for his trio Composer, six operas, the author of four symphonies, ballets and symphonies. In addition, he wrote two piano compositions and a violin song, “Variety of Rococo Theme”, as well as some quartet and romance. In such a wide range of genres, why did not Tchaikovsky write the piano trio?