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奥地利作曲家安东·威伯恩(Anton Webern,1883-1945)是20世纪表现主义代表人物之一。他为数不多的音乐作品在20世纪的音乐领域中占有极其重要的位置。其作品以篇幅短小精炼、音色音响色彩细腻著称,极富创造性的作曲技法为20世纪音乐的发展开创了崭新的局面。创作于1911年至1913年间的《五首管弦乐曲》(Op.10)是威伯恩从自由无调性向序列音乐过渡时期的重要作品之一,本文着重对该作品的音色音响构成进行分析,力求探索威伯恩创作中特有的音色思维方式。
Austrian composer Anton Webern (1883-1945) is one of the representatives of 20th century expressionism. He is one of the few pieces of music in the 20th century music occupies a very important position. His works are short and refined, and their tone colors are very delicate. Their creative compositional techniques have created a brand new situation for the development of music in the 20th century. The “Five Orchestral Music” (Op.10), written between 1911 and 1913, is one of the most important works during the transition from Free Atonal to Sequential Music. This article focuses on the analysis of the tone and sound composition of the work, Strives to explore the unique tone way of thinking in Weiborn’s creation.