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本文以女性主义角度,探讨唐传奇的爱情三部曲(《霍小玉传》、《莺莺传》和《李娃传》)。集中讨论父权如何压抑三部曲中的女主人公,以及从反抗、屈服和融合三个角度,体现唐代女性对自由恋爱的渴求和对父权的反抗精神爱情婚恋为唐传奇的重要题材之一,而其中的爱情三部曲:《霍小玉传》、《莺莺传》和《李娃传》更是传诵千古的名篇佳作,集中围绕痴情女子负心郎的主题,揭示及批评唐代士人与下层女性的爱情悲剧结局。而导致悲剧的核心原因——就是父权的
This article explores Tang Romance’s Love Trilogy (“Huo Xiaoyu Biography”, “Yingying Biography” and “Li Wa Biography”) from the perspective of feminism. Focusing on how patriarchy suppressed the heroine in the trilogy and embodies the thirst for free love and the resistance to patriarchy in the Tang Dynasty from the three angles of resistance, submission and integration. Love, marriage and love are the important themes of Tang Dynasty One, of which the love trilogy: “Huo Xiaoyu Biography”, “Yingying Biography” and “Li Wa Biography” is a famous eponymous masterpiece, concentrated around the infatuated woman negative subject, reveal and criticize the Tang Dynasty scholars Love tragedy ending with the lower class women. The core cause of the tragedy - that is, patriarchy