他总是喜欢拿着啤酒,穿着人字拖,画着无关宏旨的画作,用温暖的颜色抹平那些人生底色的伤感。“硬温暖”或者“硬伤感”都显得有些刻意为之,他更愿意用温暖解构痛苦,让那些痛苦不再灰得失去了光泽。北京的六月初,空气中都已经浸满了盛夏的炎热气息。在北京东四的一条胡同里,拐进去不过50米,和有些坑洼不平的柏油小路一起存在的,是一幢颇为现代的建筑,插画师大橘子在这里举行他的插画展览。 He always likes holding beer, wearing flip-flops, painting has nothing to do with the macro paintings, with warm colors to smooth the sadness of those background colors. “Hard warm ” or “hard feelings ” seem a bit deliberate, he is more willing to use warmth to deconstruction pain, so that the pain is no longer a loss of luster of the gray. At the beginning of June in Beijing, the air was already full of hot summer weather. In an alley in Dongsi in Beijing, it turns into 50 meters, but with some bumpy asphalt road, there is quite a modern building. The illustrator Big Orange holds his illustrated exhibition here.