在2017年1月底发生在美国反对总统特朗普上台的大规模游行中,有一支队伍中混杂着巨型傀儡,其他成员身着小丑服,一路敲打着乐器,以狂欢化的方式为游行活动声援、呐喊。这就是来自美国佛蒙特州的“面包与偶剧团”。自二十世纪六十年代成立以来,剧团通过对巨型傀儡、高跷的运用,在构成世界剧场艺术前卫力量的同时,也成为了社会公共事件的重要参与者。实际上,在西方剧场艺术的发展中,无论是对历史语境的追溯,或 In the massive parade of U.S. opposition to President Trump’s coming to power in January 2017, one team was accompanied by giant puppets, while the other members dressed in clown jumpers, beating their instruments along the way, carnivalested the parade , Cry. This is from the United States, Vermont, “Bread and even a theater company.” Since its establishment in the 1960s, through its use of giant puppets and stilts, the theater has become an important participant in the social public events while constituting the avant-garde force of the world theater. In fact, in the development of Western theatrical art, both the retro-historical context, or