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上世纪五六十年代在中国画坛卓然崛起的“长安画派”的奠基者和创始人、艺术大家赵望云在他的《农村写生集》自序中写道:“希望我们生在乡间的人们,走入城市之后,不要忘掉乡间才是。我是乡间人,画自己身历其境的景物,在我感到是一种生活上的责任,此后我要以这种神圣的责任,作为终生生命之寄托。”这个春天,赵望云怀着这种神圣的责任创作的艺术佳作,又一次回到了他的艺术精神故乡,回到了滋养他的思想、情感和笔墨的大地。由中国美术馆主办、陕西省美术博
In the preface of his Collection of Rural Sketches, Zhao Wangyun, the founder and founder of the “Chang’an School of Painting,” who rose in the Chinese painting scene in the 1950s and 60s, wrote: “I hope we were born in the countryside People, into the city, do not forget the country is .I am a countryman, painting their own scene, I feel it is a kind of life responsibility, then I want to take this sacred responsibility, as a lifelong life ”This spring, Zhao Wangyun again with this sacred responsibility to create artistic masterpiece, once again returned to his hometown of artistic spirit, back to nourish his thoughts, emotions and ink of the earth. Organized by the China Art Museum, Shaanxi Province Art Bo