对戏剧思维的研究可以从许多不同角度进行尝试,本文选取的是这么一个角度——自然科学思维对现代戏剧思维的影响。从某种意义上来说,这也是比较文学或比较思维学的一个题目。一自然科学思维对现代戏剧思维的影响,首先在十九世纪末欧洲的新戏剧中明显地表现出来。新戏剧的代表如左拉、斯特林堡、霍普特曼、肖伯纳和梅特林克等人对当时科学的新发现都怀有浓厚的兴趣。其中最典型的大概要算瑞典的斯特林堡,他不仅勤奋地从事文学创作, The study of dramatic thinking can be attempted from many different perspectives. The point chosen in this article is such an angle - the influence of natural scientific thinking on modern dramatic thinking. In a sense, this is also a topic of comparative or comparative thinking. The impact of a natural science thought on modern dramatic thinking first evidently manifested itself in the new European drama of the late nineteenth century. Representatives of new plays such as Zola, Strindberg, Hopman, George Bernard Shaw, and Maitrechuk all had great interest in the new discoveries of science at that time. One of the most typical about to consider Sweden’s Strindberg, he not only hard-working in literary creation,