书之玄象论佳书必有佳构,其布局奇异新颖,点画线质承古法而载新意,块面与整体兼具矛盾又辩证统一。然皆为其表,若论其高妙处,全在玄象。书之谋篇宜整体而勿细碎,一如国画之经营位置,油画之构成,建筑之空间切割;于大形之内置若干块面,其间血脉畅达,气韵贯通,刚劲拙重处又不失流韵。一点一画不拘泥于局部之得失。是以为整。至于章法所谓满腹者,其首尾须得空灵且有呼应,用 The mysterious book on the book must have a good structure, its layout is novel and novel, dotted lines bearing the ancient law and carrying new ideas, block surface and the whole both contradictory and dialectical unity. However, all the tables are, if its high beauty, all in the mystery. As a whole, the book of books should not be broken up as a whole, just as the management position of traditional Chinese painting, the composition of oil painting, and the space cutting of buildings; rhyme. Little by little does not rigidly adhere to the local gains and losses. It is whole. As for the so-called chapter full of law, the first and last must be ethereal and echoed, with