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张骏祥同志在《电影通讯》今年第七期的一篇短文中提出:现在已经到了“认真对待如何迅速壮大电影的剧作队伍的时候了。”我对此深有同感。现在,愿借《电影通讯》的一角,谈谈我对这个问题的一些看法。在党的十一届三中全会以后的几年里,我国的电影剧作无疑取得了很大的成绩,数量上的发展可以说是惊人的。比如在一九八二年,专业和非专业的电影剧作者为各制片厂提供了一百多个电影剧本,由此制作了112部影片;更重要的是,逐年出现了一批优秀的、为观众喜爱的上乘之作;尤其不能忽视的是。近几年来,涌现出一
In an essay in the seventh issue of this year, Comrade Zhang Chunxiang put forward: “It is time to take seriously how to rapidly expand the theater team of the film.” I share the same feeling. Now, I wish to use the corner of “film and television communications” to talk about some of my views on this issue. In the years since the Third Plenary Session of the 11th CPC Central Committee, there has been no doubt that great achievements have been made in the film dramas in our country. The development in terms of numbers is striking. For example, in 1982, professional and non-professional film writers provided more than one hundred screenplays for studios and produced 112 films. More importantly, a series of excellent , For the audience favorite superior; In particular, can not be ignored. In recent years, emerged one