中国当前的艺术批评看似热闹非凡,实则呈现出诸多缺陷与不足。对此,国内学者或以“不及物和虚热症”“批评缺失、批评过剩”描述之,或以“感受性原则失落”“游戏化”“浅表化”归纳之。虽表述不尽相同,却共同指向了一个不争的事实,即艺术批评者从自身审美感受与社会责任出发、抓住作品进行说真话、说实话的批评,颇为稀缺。新近出版的李树榕教授的批评文集《艺术智慧:对艺术消费客体质量的思 China’s current art criticism seems crowded, but in fact shows many shortcomings and deficiencies. In this regard, domestic scholars may use the description of “lack of criticism and lack of criticism,” or “loss of sensibility,” or “superficialization” “Induction. Although they are all expressed in different ways, they point together to an indisputable fact that art critics, judging from their own aesthetic feelings and social responsibilities, grasp the work to tell the truth and criticize the truth, which is quite scarce. The newly published criticism of Professor Li Shurong’s anthology: ”Art Wisdom: Thinking of the Quality of the Art Consumption Object