历经多年沉潜,卢新华完成了由“文革”批判走向文化批判的母题嬗变。就《伤痕》至今的创作而言,创伤叙事与悲剧意蕴成为卢新华观照内外宇宙的结构驱力。创伤叙事的视点在一次次位移中从一维走向多维,由表象触及根本,而悲剧意味的蕴藉则在一次次积淀中从平面走向立体,由粗浅探涉精深。 After many years of submergence, Lu Xinhua completed the evolution of the motif from the “Cultural Revolution” to the criticism of culture. As far as the creation of “Scar” is concerned, the traumatic narrative and the tragedy meaning become the structural driving force of Lu Xinhua’s view of the universe both inside and outside. The narrative point of the traumatic narration shifts from one dimension to multidimensional in a time of displacement, touches on the fundamental from the appearance, while the implication of the tragedy means goes from the plane to the three-dimensional in a time of accumulation, and is profoundly involved in superficiality.