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继续我们上次的话题,我也来说说肖斯塔科维奇这部蕴藏字母密码的《第十交响曲》吧!和声色彩忽明忽暗的第一乐章仿佛是解冻前的挣扎与经历一系列劫难后格外小心翼翼地探索前行。缓慢启动的呈示部中,3个“同形异构”的主题得到了极大地发展,随后的展开部可以看做是长期压抑在苏联民众和肖氏心中的悲痛与反抗的总爆发。主部主题在f小调上的咆哮最终将乐章开始处俄罗斯抒情歌曲忧伤、温柔的性格特征彻底打碎,但随即由单簧管主奏的副部主题又将音乐拉回以往的恬静、安宁的情绪。肖氏自称整部作品中最满意的第2乐章急速、充满动力,这首时长仅4分钟的谐谑曲也无疑构成了全曲思想内
Continue to our last topic, let me also talk about Shostakovich, the tenth symphony containing letters and passwords! The first movement of vocal flickering seems to be the struggle before thawing After experiencing a series of catastrophes, he carefully explored the course. The three “isomorphic” themes have been greatly developed in the slow-running presentation, and the subsequent expansion can be seen as a long-term suppression of the total outbreak of grief and resistance in the hearts of the Soviet people and Shaw. The roar of the theme of the main theme in the f minor eventually led to the sorrow of the Russian lyrical song at the beginning of the movement and the gentle characterization completely shattered. However, the theme of the vice played by the clarinet once again brought the music back to its former tranquil and tranquil mood. Shaw claimed to be the most satisfied with the whole piece of the second movement is rapid, full of power, the first 4 minutes Scherzo song also undoubtedly formed within the whole song