聆听和研究巴赫的多部康塔塔之后,发现其宗教作品和长笛奏鸣曲BWV 1034之间的最大联系是康塔塔咏叹调的开篇动机和长笛奏鸣曲的各乐章开篇动机相关。对长笛奏鸣曲的简单和概括分析后发现,开篇几小节中给出的简单乐思确定了各乐章。这一简单乐思引出乐章剩余部分。这种作曲技法是“如纺纱般前行”——巴洛克时期的特色。 After listening to and studying Bach’s many Cantata towers, it was found that the greatest connection between his religious work and the flute sonata BWV 1034 was motivated by the opening motive of Cantata aria and the opening motto of the various movements of the flute sonata. A simple and general analysis of the flute sonatas found that the simple music given in the first few sections identified the movements. This simple music leads to the rest of the movement. This technique of composition is “spinning like a thread” - a baroque character.