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李渔的《意中缘》传奇写成之后,一位女读者黄媛介为之作序并加以评点。其评点以“情文兼妙”四字点睛,艺术角度上的理解集中于剧作曲白文词语言生动处、情节关目有趣处、人物形象刻画精彩处,其中尤以指出剧作人物的命运安排依其性格而定的创作规律为上;人生角度的解读则结合自己阅读时的心理体验和亲身经历观照自我、发现自我、欣赏自我,代表了女性读者在戏曲接受与戏曲批评上的独特视角与标准。这些简短精炼的评语系作者李渔、剧中人林天素与杨云友、读者黄媛介于一线,统戏剧作品、批评接受于一体,成为了明清戏曲批评的重要组成。
Li Yu’s “Legend of the edge” after the legend was written, a female reader Huang Yuan for preamble and comment. The comments are based on the four characters “Love and Wonder”. The understanding of the art focuses on the vivid language of drama scripts, the interesting points of the episode, and the characterization of the characters. In particular, Fate arranges the law of creation according to its character. The angle of life interpretation combines self-experience of psychological reading and personal experience with self-observation, self-discovery and self-appreciation. It represents the uniqueness of female readers in the reception of drama and criticism of drama Perspectives and standards. Li Yu, the author of these short and refined comments, Lin Rensu and Yang Yunyou in the dramas, readers Huang Yuan, are among the first-line and traditional dramatists and critics accept as one of the important components of drama criticism in the Ming and Qing dynasties.