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本文尝试以张爱玲小说《色戒》改编为电影为例,分析了电影里文字与图像的对立与共生关系,并借此讨论文学与电影改编的关系。
This paper tries to take Zhang Ailing ’s “Lust, Caution” as a movie for an example, analyzes the opposition between the characters and the images in the movie, and discusses the relationship between the adaptation of the literature and the film.