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和国外同行不同,中国电影人除了要面对艺术创新和经济效益的常规考验外,还必须遵守中国独有的“摄制电影片许可证”、“剧本立项”和“公映许可证”这三重绝对刚性的行政审批法规,同时,他们还不得不适应另一个生态级的大前提或者说大悖论:普及且惠及全民的盗版影音业,同时还无意地为中国电影工作者制造了全球性的竞争对手以及目标受众远远超越体制内创作成品的欣赏(消费)需求。
Different from foreign counterparts, Chinese filmmakers must not only face the routine test of artistic innovation and economic benefits, but also must comply with China’s unique license of filming, scriptwriting and licensing At the same time, they also have to adapt to another ecological level premise or paradox: to popularize and benefit the people of the pirated audio-visual industry, but also inadvertently for the Chinese film workers Create a global competitor and target audiences far beyond the appreciation (consumption) needs of finished products within the system.