构图是每个画家都要潜心研究和钻研的学问。在国画中,构图被称为“章法”和“布局”。与西方绘画的焦点构图相比,中国传统人物画中体现的更多是画家带有主观色彩的散点透视,它围绕着“人”的主体意识,因此,体现了神形兼备和物我交融的意境。通过留白、散点透视以及以“我”为中心的构图特点,展现出传统人物画的独特魅力,对于当代人物画的创作也同样具有借鉴意义。 Composition is the learning that every painter should devote himself to studying and studying. In traditional Chinese painting, composition is called “chapter method” and “layout”. Compared with the focus composition of western painting, the traditional Chinese figure painting embodies more scattered perspectives of the artist with subjective colors, and it surrounds the subjective consciousness of “people”. Therefore, I blend the mood. Through the features of white space, scattered perspective and composition centered on “I ”, the unique charisma of traditional figure painting is demonstrated, which is also of reference for the creation of contemporary figure painting.