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适应主义的物种本质的整体原则,为解决目前人文学科内关于身份、本真性、相对主义、再现危机以及全球化的影响等问题的支离破碎的关注提供了一个基础性框架。不同的情景会在不同的个人那里引发不同的反应,但这些人都有着一致的潜在心理生物需求。本文提出艺术是具有适应性的观点,反驳了关于进化和及其核心概念(功能)的某些误解,对当前关于艺术的进化起源和功能的四个适应主义假设加以审视,提出和详细描述艺术的共同特性的假设,并分析了接受以人性为中心的艺术史和美学的意义。
The holistic principle of the nature of the doctrine of adaptation provides a fundamental framework for resolving current fragmented concerns within the humanities disciplines on identity, authenticity, relativism, the crisis of reproduction and the effects of globalization. Different scenarios lead to different reactions among different individuals, but all of these people have consistent potential psychological needs. This article proposes that art is an adaptive concept that refutes some misunderstandings about evolution and its core concepts (functions), examines the four current assumptions about the evolutionary origin and function of art, proposes and elaborates on the art And analyzes the significance of accepting the art history and aesthetics centered on humanity.