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芥川龙之介曾于1921年赴中国旅行,其中国观经历了由来华前的憧憬到来华后的蔑视这一日本近代知识分子常见的矛盾历程。笔者从旅游者视角出发,将其与村松梢风作为“多中心型”游客的中国游历作对比,发现芥川是一名“自我中心型”的游客。他笔下的种种不佳旅游体验背后既有文学家的敏锐感觉,也有一名日本近代旅游先行者感受到的强烈文化冲击。其游记以白描式的笔触,描绘出近代中国的社会风貌,因而具有了独特的旅游文化学意义。
Akutagawa Ryunosuke traveled to China in 1921 and his Chinese outlook went through the longing for a Chinese presence to contempt for the common paradoxes of modern Japanese intellectuals. From the tourist’s point of view, the author compares it with Muramatsu’s wind as a “multi-center” tourist in China and finds that Akutagawa is a “self-centered” traveler. The poor cultural experience he experienced in the travel experience behind both the literary writers and the strong cultural impact felt by a pioneer in Japanese modern history. His travelogue depicts the social outlook of modern China with his brush strokes of white sketches, which has unique significance in tourism culture.