楚铜器铭文具有装饰性,其装饰性主要表现在对文字进行图案化、工艺化的修饰上。这种图案化的装饰甚至于喧宾夺主,使得文字意义的传达退居次要的位置。当这股以楚文字为代表的装饰之风席卷整个江淮地区时,东方、中原、北方都不同程度地出现了文字装饰化的趋向,就连东方海滨的小国莒、国家不保的小国中山,都出现过装饰精美的作品。而惟独偏于西北一隅的秦,却不为“楚风”所动,以不变应万变,自始至终走自己的路。我们把秦地的“重器”作 Chu bronze inscriptions with decorative, decorative mainly in the text of the pattern, the process of modification. This patterned decoration is even overwhelming, allowing the transmission of meaning to take a back seat. When the decorative style represented by the Chu text swept through the whole of the Jianghuai region, the decorative orientations of the East, the Central Plains and the North appeared to varying degrees. Even the small nationalities such as the East China Sea coast, Zhongshan, There have been beautifully decorated works. But only deviated to the corner of the Northwest corner of Qin, but not for the “Chu Feng” moved by the unchangeable, go all the way from beginning to end. We Qin Qin’s “heavy” as