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暴力是人类的基本行为之一,人类学家、社会学家、心理学家、伦理学家都曾从不同视角,对此进行过广泛深入的探讨。如今,文学、艺术作品中的暴力描写也日益引起文学研究者的关注。在中国古代小说的广阔视野中,《水浒传》无疑是最富暴力色彩的一部,也是历朝遭禁毁次数最多的小说。本文即从百回本《水浒传》的文本入手,集中考察其中的暴力描写,发掘其所蕴涵的文学叙事功能和美学意义。
Violence is one of the basic human behaviors. Anthropologists, sociologists, psychologists and ethicists have conducted extensive and in-depth discussions from different perspectives. Nowadays, the description of violence in literary and artistic works is also increasingly arousing the attention of literary researchers. In the vast field of vision of ancient Chinese novels, Water Margin is undoubtedly one of the most violent colors and also the most frequently banned and destroyed novel in the dynasty. This article starts with the text of “Outlaws of the Marsh” in Hundred Times and focuses on the description of violence in it, and explores the literary narrative function and aesthetic meaning it implies.