在陶瓷传统装饰图案中,常见以比喻、谐音等手法,组成具有吉祥寓意的装饰纹样。它的历史可上溯到商周,在明清两代达到鼎盛。大量吉祥纹样出现在瓷器之上,如“连年有余”“五谷丰登”“竹报平安”等图案都借助此手法来“讨彩头”。这些吉祥纹样的依据和来源主要是佛教、道教、历史故事和民俗活动,其中民俗活动成为最主要的题材来源。无论人物、动物、器物、植物如何组合,其所代 In the ceramic traditional decorative patterns, the common analogy, homonym and other techniques to form a decorative pattern with auspicious meaning. Its history dates back to Shang and Zhou dynasties, reaching its peak in the Ming and Qing dynasties. A large number of auspicious patterns appear above the porcelain, such as “every year more than ” “grain abundance ” “bamboo reported peace ” and other patterns are to help “discuss Choi Tou ”. The basis and sources of these auspicious patterns are mainly Buddhism, Taoism, historical stories and folklore activities, among which folklore activities have become the most important source of theme. No matter how people, animals, utensils and plants are combined, they are replaced