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观众通常把情感反应视为他们的艺术经验,特别是通俗艺术经验最重要的组成部分。情感反应主要是基于观众对艺术作品中富有条理因素的观察。例如:在视觉艺术中,这些因素主要体现为图像。叙事性的视觉艺术作品,例如电影,通过呈现观众能观察到的图像,运用三种框架来阐释他们的理解而使之成为富有意义的观察。一幅图像可以被视为一个指代的对象、自身的代表或者现实的某个方面。传统的艺术作品邀请作为观者角色的观众观察图像,观众的情感反应基于他们的观察;相反,互动艺术作品邀请观众以互动者身份表演,因而与作品的原创者一起合作创作了作品。因此,传统的艺术作品引起情感反应基于观众对艺术家作品的观察,互动艺术作品产生情感反应基于观众观察自身参与到与作品互动过程的表演行为。
Audiences often view emotional reactions as their artistic experience, especially the most important part of popular art experience. Emotional responses are based primarily on the viewer’s observation of well-organized elements of the artwork. For example: In the visual arts, these factors are mainly reflected in the image. Narrative visual works of art, such as movies, use three frameworks to interpret their understanding by making images that the viewer can see and make them meaningful observations. An image can be considered as a reference object, as an agent of one’s own, or as an aspect of reality. Traditional works of art invite viewers to view the images as spectators, and the audience’s emotional reactions are based on their observations. Instead, interactive works of art invite the audience to act as an interactive artist and therefore collaborate with the original creator of the work. Therefore, the emotional reaction of the traditional art works is based on the audience’s observation of the works of the artists, and the emotional reaction of the interactive works of art is based on the spectator’s observation of his participation in the performance of the interaction with the works.