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“中华乐派”乃20世纪中华民族第二次文化自觉运动的组成部分,其文化立场与艺术理想对当代中国音乐具有普遍的启示意义。“中华乐派”可以在普遍观念传播与音乐流派建设两个层面同时展开,现在应当进入一个由观念宣示到音乐流派建设的新阶段。儒道思想家奠定了中国传统音乐的一体(和)三维(人心、社会与自然)解释框架,它成就了中国传统音乐的本体与风格。“中华乐派”在发扬中华乐风的当代事业中,仍可遵此思路而具体展开。
“Chinese Music School ” is part of the second cultural conscious movement of the Chinese nation in the 20th century. Its cultural position and artistic ideal have a general enlightenment on contemporary Chinese music. “Chinese Music School ” can be launched at the same time as the spread of universal concepts and the construction of music genres. Now it is time to enter a new stage from the notion of conception to the construction of musical genres. Confucianism and Taoism thinkers laid an integrated (and) three-dimensional (human-centered, social and natural) interpretive framework of Chinese traditional music, which has given rise to the noumenon and style of Chinese traditional music. “Chinese music school ” in carrying forward the Chinese music style of the contemporary cause, can still follow this line of thinking and specific start.