论文部分内容阅读
就扎染相关文献来看,不论是著作、学术期刊论文还是报纸杂志,大都集中于美学、服装设计、扎染工艺和非物质文化遗产保护等几大方面,主要针对扎染的工艺制作、图案造型、审美特征、传承发展进行较为深入的理论探讨。绝大部分成果停留于扎染工艺或者扎染作品本身,基本忽视了扎染背后的从业者群体,然而这一群体中占绝对地位的是女性。从人类学的角度,关注扎染作为女性艺术的一面,是该文章在其他研究成果基础上需要弥补的一点。
On tie-dye related literature, whether it is books, academic periodicals or newspapers and magazines, mostly concentrated in aesthetics, fashion design, tie-dye and intangible cultural heritage protection and other major aspects, mainly for tie-dye production process, Modeling, aesthetic characteristics, inheritance and development of a more in-depth theoretical discussion. Most of the results stay in the tie-dye process or tie the work itself, basically ignored the group of practitioners behind the tie-dye, but this group is the absolute position of women. From an anthropological point of view, paying attention to the role of tie and dye as a female art is the point that this article needs to make up on the basis of other research results.