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自油画传入中国,有关油画民族化的讨论一直就未停止过。苏天赐一生致力于探索中西方绘画艺术的结合,不断地找寻适合中国民族文化的油画语言,开拓出了意象油画的新境界。苏天赐的艺术审美来源于他对自然对人的感悟和自身生命的体验,渗透了对民族对文化的深刻理解。本文从文化、民族、时代的角度,叙述苏天赐对意象风景油画艺术的探索历程,并试图从绘画语言方面及其艺术观点,分析苏天赐意象风景油画中所体现出的语言特征。
Since the introduction of oil paintings into China, the discussion on the nationalization of oil paintings has not stopped. Su Tse-ci devoted his life to exploring the combination of Chinese and Western painting art and constantly searching for the oil painting language suitable for Chinese national culture, opening up a new realm of image painting. The artistic aesthetics of Su Tien-tsi derives from his experience of nature’s perception of people and his own life, permeating the profound understanding of the nation about culture. This article describes the exploration process of Su Tianci from the perspective of culture, nation and time, and attempts to analyze the language features reflected in the landscape painting of Su Tianci from the aspect of painting language and his artistic viewpoint.