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这组照片是为一家新媒体(Touchic)拍摄的,采用的服装是一位知名设计师所设计的礼服,款式及材质极显飘逸。从看到服装的第一眼开始,我们便毫无争议地确定了水下拍摄方案,似乎只有这样才能在一种失重状态中最大限度地表现出浪漫和轻灵的气质。这两年水下拍摄已极为常见,但对我个人来说还是首次尝试,此前毫无经验可谈。当然,如今水下摄影已经和大多数影像形式一样,由小众、高端变得大众。在这个过程中,商业化的实用和普及性操作起到了很大作用。把一件事情由难变易自然不错,但是似乎真正给我们留下深刻印象的还是早前的那些作品,比如我们熟悉的霍华德·沙茨,其影像的美感:神秘、浪漫、独特、精致,以及那些充满诗意的时光停滞瞬间仍然是现今大部分水下作品难以企及的。诚然,出于便捷及商业推广的需求,现在所采用的拍摄方式与之已经有了较大差异,大多不再采用深水拍摄,而是在潜水
The photos were taken on Touchic, a dress worn by a well-known designer whose style and material are extremely flowing. From the first glance of seeing clothing, we have undoubtedly determined the underwater photography scheme, which seems to be the only way to maximize the romantic and subtle qualities in a state of weightlessness. Underwater photography in these two years has been extremely common, but for me personally is the first attempt, had no prior experience. Of course, underwater photography has become as popular as most forms of photography today, from niche to high-end. In the process, practical and popular commercialization played a big role. It would have been nice to keep one thing easy from a catastrophe, but what really seemed to impress us earlier would be the familiar beauty of Shatz, the beauty of the imagery: mystery, romance, uniqueness, sophistication, and The moments of poetic moment remain stagnant for most of today’s underwater works. It is true that out of convenience and commercial promotion needs, and now adopted by the shooting methods and there has been a big difference, most of them no longer use deep shooting, but diving