一直以来在现代作家笔下,现代“学生”形象大多是新时代的新青年,具有“热烈的感情”、“活泼的气象”、纯洁的人格以及“牺牲的精神”。然而,一直致力于发掘人生的诗意美的汪曾祺却在他的作品《鸡毛》、《航空奖券》、《捡金子》中一反常态,塑造了一系列自私自利,人格异化的青年学生群像,对现代学生形象进行了更全面的增构性的呈现,不仅打破了传统的叙事理念和规范,打破了乌托邦政治下的“新青年”神话,同时对现代学生形象进行了消解性的反思与增构。 Since the modern writers have always been modern writers, the image of modern students is mostly a new youth in the new era with “warm feelings”, “lively weather”, pure personality and “spirit of sacrifice” . However, Wang Zengqi, a poetic beauty who has been devoting his life to the discovery of his life, has uncharacteristically made a series of self-serving and personality alienated young student groups in his works “Feather, Airline Lottery, and Gold Picking, Image has been more comprehensively presented. It not only breaks the traditional narrative concepts and norms, breaks the myth of ”new youth " under utopian politics, at the same time, it has carried on the digestion reflection and the increase of the modern student ’s image .